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The crusade ladies. Revised version. Die Verschworenen. Franz Schubert. Translation: The conspirators.vpn567706038.softether.net/in-times-like-these-1.php
Wikipedia talk:WikiProject Opera/Archive 117
Sheet Music. Romance of Helen.
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Concert-Paraphrase sur ' Die Verschworenen '. Franz Doppler. Die Verschworenen , D , nach der autographen Part.
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Schubert Die Verschworenen, D787
By this time, undermined by the crisis of his illness, Schubert was truly desperate to have a success in the theatre. Ach, was die Liebe einmal band, Soll nie sich trennen mehr. Ah, what love once united shall never more be sundered. What do you seek in that distant land far across the sea?
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Even if flowers there bloom more brightly no heart will burn more ardently for you. Stay away no longer, star of my life! Ach, was die Liebe einmal band, soll nie sich trennen mehr.
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Oh, once love is bonded, never let it be separated. What do you seek in that foreign country, far across the sea? Even if more colourful flowers bloom there, no heart burns more passionately for you, Oh stay away no longer, you, star of my life! Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.
Don't show me this message again. Ich schleiche bang und still herum, D No 2 composer.
Ignaz Franz Castelli The librettist was the same Castelli who was editor of the almanac described elsewhere. The story is derived from the Lysistrata of Aristophanes, where wives who are anti-war withdraw their favours from their soldier husbands. The character of Helene wife of Astolf is one of four named 'conspirators' — two sopranos and two mezzos. Her husband is away at the Crusades and she is missing him. She sings this aria before being drawn into the plot to teach all the husbands a lesson. The original scoring of this aria a gentle undulation of strings with a descending scale for the cello now and then is dominated by a solo clarinet line of sinuous beauty.
The musicological purist will have to excuse its inclusion in this series.
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The fact that this arrangement by Fritz Spiegl is sanctioned by neither composer nor tradition, is perhaps outweighed by the need to rescue a little known piece from obscurity, and to point out that Schubert's interest in the clarinet as an obbligato instrument with soprano pre-dated Der Hirt auf dem Felsen by at least five years. A touch of the same transforming power of love is heard in Helene's aria when the voice part surprises and touches us with a modulation into the major on its second-last note.
A wife such as this could never seriously punish her husband.
Related Helenes Romanze from Die Verschworenen D787 - Score
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